Brazil is one of the side project of Michel Sardon.
The music of Brazil is inspired by post-rock...
Below, you'll find all of Brazil's contributions to the Dadaprod's discs, which you can also find in the dedicated section of the web site ou or directly by clicking on the following links : A Bas Travailler (live), La faim du travail, Premières nouvelles.
| (2005) | download tracks | high rate |
|---|---|---|
| Brazil | terroriste |  |
| les marchés (contrôlent nos vies) | |
|
| travail = aliénation | |
|
| enfance | |
|
| dada m | |
|
| brazil | |
la faim du travail
| listen | high rate |
|---|---|
| download full Cd |
| (2002) | download tracks | high rate |
|---|---|---|
| Brazil | le travail I (300 appels par jour) | |
| Paul, véro, Sven... | |
|
| le marché (contôle nos vies) | |
|
| la pause café | |
|
| le travail II | |
|
| la fin du travail | |
|
| l'herbe rouge | |
|
| une vie à deux | |
|
| graffiti | |
|
| l'enfance | |
|
| un samedi après midi... | |
|
| les maux des autres | |
|
| brazil | |
| (2001) | download tracks | high rate |
|---|---|---|
| Brazil | l'herbe rouge | |
| Paul, véro, Sven... | |
|
| un samedi après midi... | |
|
| Banga | la rupture |  |
| le bateau îvre | |
|
| Loanna | |
|
| summer time | |
| (2003) | download tracks | high rate |
|---|---|---|
| Brazil | terroriste | |
It's already been two years since the release of the Cd-R « La faim du travail ? » A long time during which Brazil takes time to develop his songs, as the few who have had the opportunity to attend Brazil's live performances have been able to see for themselves. This period of rehearsal was also conducive to the creation of new tracks, as evidenced by the new mp3 single terroriste, which showcases the project at the peak of its powers, Having learned from these live experiences, the track gains in fluidity, the project to propose a more personal post-rock sounding like an improbable improbable musical encounter between the world of Dominique Petitgand and the sonic excesses of the eternally committed godspeed...
A bas travailler !
In 2004, sardon first decided to work on a video support during rehearsals of Brazil for a gig that happened the same year. The succession of images shot during sardon's travel and demonstration during the French European social forum perfectly match to the music of Brazil, which constantly oscillate between the poetic and politic field. Recently,when dadaprod was working on the release of the live Cd of Brazil “A bas travailler!”, we decided to work again on this video, that you can now download...
If you have difficulty playing the video, we advise you to install the VLC player (free software) on your computer.
Cd: la faim du travail
Etherreal
on peut reconnaître à Brazil un talent indéniable dans les compositions musicales, dans la variété des ambiances et la façon dont elles sont amenées puisqu'à aucun moment la lassitude ne se fait sentir à l'écoute de ce disque, qu'il est vivement conseillé d'écouter en travaillant !! voir l'article complet
Jade Web
Le luxe suprême de l’homme moderne est l’anonymat et l’isolement voulus. Voilà une des leçons que Terry Gillian nous aura apprise. Brazil creuse d’une certaine manière dans ce sens en donnant une connotation hermétique à sa petite œuvre (plaisir solitaire ?), où s’exposent ici et là, extraits de bandes originales et de films choisis, de l’enfant nue de Pialat aux 400 coups de Truffaut, Trust me de Hartley et 300 appels par jour de Christophe d’Havilliée, avec en arrière plan, la musique sombre de rues désertes et les éclairs de joie des lampadaires. voir l'article complet
Liability
La montée musicale aussi diffère. On sent un penchant pour Godspeed, avec la batterie et le violon qui raillent la guitare, et toujours un piano pour calmer la mise. Mais voilà, il n'y a pas que de l'acharnement dans ce disque…On y trouve aussi de délicieuses parades acoustiques ("La pause café", "L'herbe rouge") où le minimalisme n'est autre chose que l'instinct, à sa source, de l'auteur. Un véritable auteur. La prétention et la maison de disque en moins, celui-ci est pourtant profus d'excellentes idées.
Cd: Premières nouvelles
Magic!
Brazil, décline instruments et Cubase en clairs de lune équatoriaux et cités de béton. D'une voix blanche, Stéphane, déclame un pamphlet anti-success story, derrière lequel guitare, piano et violon accélèrent, prennent en pleine poitrine le souffle d'un RER qui frôle à toute vitesse les cols blancs sur un quai de banlieu. voir l'article complet
They belong to the past...
- Paris (20h30 - en soutien aux 62 inculpés, )
- Paris (20h - festival Liability, )
- Ferme des Costils - Cambremer (19h - vernissage la ferme et vous, )
It was in the heart of his native Normandy, still in his teens, that the young Michel Sardon was moved by the existence of a hitherto unknown music. It was while reading an issue of Best covering the umpteenth comeback of Pink Floyd that the young Sardon discovered the existence of the Pixies. The local media library soon became the scene of encounters with vinyl records. It was only a few years later that Michel decided to defy the family consensus that music was a domain reserved for others. And so he launched into his first chords. The strumming of strings quickly became creative, exorcising the unfathomable evil that had gnawed at him since his earliest childhood. Accompanied by a handful of friends, his compositions followed on from his stays in Normandy and England, ending up in Paris, where Michel launched into M.A.O and D.I.Y!
In 2001, Michel launched Dadaprod, seeking to create a new non-commercial space where music could be exchanged over the Internet or via CD-Rs. In total opposition to the behemoths of the record industry, dadaprod castigates the gravediggers of creation, calling for free music where artists would no longer be bank accounts belonging to the jet-set or elected by TV shows.
